Wednesday, February 29, 2012

The Evolution of Drumming for Success


In 1989 I started presenting African drumming programs in schools as an artist in residence, mainly in New Hampshire. The joy and enthusiasm of the students during these drumming residencies was evident to teachers, parents and administrators.

In the early 1990s, as my experience and reputation grew I was hired regularly by Very Special Arts New Hampshire to present drumming to physically and emotionally disabled populations. Once again the drumming produced joy and enthusiasm amongst the students.

As I packed up my drums at the conclusion of each of these residencies I was both fulfilled and disappointed. Fulfilled by the obvious benefit that everyone derived from the experience and disappointed that the students wouldn’t have the drums or this type of drumming program going forward to maintain the benefits over time.

I was also intrigued by the idea of actually measuring the benefits that were so obvious anecdotally. 

Why is Mary smiling and interacting with peers for the first time in months?

Why does Peter stay focused for 45 minutes when he is normally hyperactive?

I began to have conversations with Janice Hastings, the director of Very Special Arts NH about how I might accomplish these goals of developing outcome measures and a way to implement a sustainable drumming program for any interested organization or site.

I never stopped thinking about these ideas and years later, after a great deal of research and experimentation, I’ve been able to develop a model that accomplishes the goals of a sustainable drumming program with outcome measures.

I am now able to deliver a set of 10-15 African drums, facilitate a 10 session residency with outcome measures for the students and train staff members to carry on the Drumming/Life skills protocol that I’ve developed called Drumming for Success.

Persistence has always been my best asset!

-Steve Ferraris
Founder, Root Drumming Systems
www.rootdrummingsystems.com

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